When the Fourth of July Was a Black Holiday

5fish

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Yes, July 4th after the Civil War, was embraced by Freedmen as their holiday to celebrate their new won freedom throughout the south. I did not know this and over time JimCrow laws quashed the celebrations.

Link: https://www.theatlantic.com/ideas/archive/2018/07/fourth-of-july-black-holiday/564320/

The Fourth became an almost exclusively African American holiday in the states of the former Confederacy—
until white Southerners, after violently reasserting their dominance of the region, snuffed these black commemorations out.

Before the Civil War, white Americans from every corner of the country had annually marked the Fourth with feasts, parades, and copious quantities of alcohol.

Confederate sympathizers had little desire to celebrate the Fourth now that they were back in the Union and slavery was no more. “The white people,” wrote a young woman in Columbia, South Carolina, “shut themselves within doors.”

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African Americans, meanwhile, embraced the Fourth like never before. From Washington, D.C., to Mobile, Alabama, they gathered together to watch fireworks and listen to orators recite the Emancipation Proclamation, the Declaration of Independence, and the Thirteenth Amendment, which abolished slavery when it was ratified in late 1865.

As we document in our new book, Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy, the most extraordinary festivities were held in Charleston, South Carolina, the majority-black city where Southern secession and the Civil War had begun. At the 1865 commemoration in Charleston, one speaker noted the altered meaning of the holiday for black Americans, who could at last “bask in the sunshine of liberty.”


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In Charleston and elsewhere, whites deeply resented their former slaves turning the Fourth into a commemoration of black liberty. What “a dreadful day” it was, complained one Charleston planter in a letter to his daughter. A local merchant lamented in his journal that the nation’s holiday had become “a nigger day”: “Nigger procession[,] nigger dinner and balls and promenades,” and “scarcely a white person seen in the streets.” Even some Northern whites could not abide what they saw. At the 1865 festivities in Mobile, federal troops from Illinois and Indiana were overheard wishing newly freed slaves dead.


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In the years that followed, as white Southerners began implementing segregationist laws and customs, they quashed official black celebrations of the Fourth. Beginning in 1881, Charleston city leaders pushed Too-la-loo to parks further and further away from downtown until finally, in 1886, they succeeded in removing it from the peninsula altogether. African American families and friends continued to meet in more informal gatherings in the city, but by the early 1900s both Charleston and Atlanta had forbidden vendors from setting up food stalls along the streets where black residents had long congregated on the Fourth. The African American, noted a Memphis newspaper, now marked the holiday by “going way off by himself,” celebrating behind closed doors in black churches and cultural institutions or with family.

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In 1902, white Atlantans completed their commemorative coup with an elaborate Fourth of July program. A children’s chorus sang three “patriotic” songs: “Dixie,” “The Star-Spangled Banner,” and “America.” A parade of local dignitaries, among them both Confederate and Union veterans, wound through the city. The nation’s birthday was back where it belonged—in the hands of “true” Americans.


Well, this is part of our cultural history lost to history as a footnote. You should read the link and see how Freedmen in Charleston really did Celebrate their freedom in a big way...
 

5fish

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My gush... a book on the topic... My gush Lost Causers, neo-Confederates and others Southern supporters need to read this book to give them a better perspective on the south!!!

https://www.amazon.com/Denmark-Vese...eative=165953&creativeASIN=1620973650



Summary:

One of Janet Maslin’s Favorite Books of 2018, The New York Times

One of John Warner’s Favorite Books of 2018, Chicago Tribune

Named one of the “Best Civil War Books of 2018” by the Civil War Monitor

“A fascinating and important new historical study.”
—Janet Maslin, The New York Times

“A stunning contribution to the historiography of Civil War memory studies.”
—Civil War Times

In the tradition of James Loewen’s Lies My Teacher Told Me, a deeply researched book that uncovers competing histories of how slavery is remembered in Charleston, South Carolina—the heart of Dixie


A book that strikes at the heart of the recent flare-ups over Confederate symbols in Charlottesville, New Orleans, and elsewhere, Denmark Vesey’s Garden reveals the deep roots of these controversies and traces them to the heart of slavery in the United States: Charleston, South Carolina, where almost half of the U.S. slave population stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof shot nine people at Emanuel A.M.E. Church, the congregation of Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822.

As early as 1865, former slaveholders and their descendants began working to preserve a romanticized memory of the antebellum South. In contrast, former slaves, their descendants, and some white allies have worked to preserve an honest, unvarnished account of slavery as the cruel system it was.

Examining public rituals, controversial monuments, and whitewashed historical tourism, Denmark Vesey’s Garden tracks these two rival memories from the Civil War all the way to contemporary times, where two segregated tourism industries still reflect these opposing impressions of the past, exposing a hidden dimension of America’s deep racial divide. Denmark Vesey’s Garden joins the small bookshelf of major, paradigm-shifting new interpretations of slavery’s enduring legacy in the United States.
 

5fish

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A book review... and a question and answer with the author…

Snip... https://historynewsnetwork.org/article/168965

Denmark Vesey’s Garden, the memorial named in the book’s title, is located in a quiet park on the northern part of the city. Vesey, a symbol of antebellum black resistance, was the leader of a planned slave revolt in 1822. Betrayed by an informer, Vesey was captured, tortured and hanged, along with 30 additional blacks accused of conspiracy. The revolt never happened and no white person was injured. His statue and garden, created in 2014, was the result of a twenty-five-year effort to create a memorial for him. Local historian Bernard Powers stated “the monument changes the landscape by now offering a counterpoint to those other monuments to white supremacy that populate Charleston’s streets.”

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On March 21, 1865, the recently emancipated black residents of Charleston South Carolina, staged a parade to celebrate their new freedom. The city had been taken a month earlier by Union Army troops led by a thousand soldiers from the 21st United States Colored troops. When the parade got underway, it was led by the black soldiers, marching in formation, followed by more than five thousand people.

New York Tribune reporter James Redpath, described the procession as “a celebration of their deliverance from bondage … a jubilee of freedom.” One of the most striking scenes, Redpath noted was large mule-drawn cart with a sign that said “Negroes for Sale.” Behind the auction cart marched a mock slave “coffle,” sixty men tied together by a rope. A black man playing the role of auctioneer cried out to the crowds, “How much am I offered for this good cook? Who will bid?”

Although most of the crowd laughed and jeered at the sham auction scene, Redpath observed some older women who “burst into tears as they saw this tableau, and forgetting that it was a mimic scene, shouted wildly, ‘Give me back my children! Give me back my children.”

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Kytle and Roberts chronicle the fifty-year long transition, from the brief period of celebration enjoyed by the emancipated slaves, through the brief, failed attempt at Reconstruction to the imposition of Jim Crow laws in the late 1800s. They draw on a variety of sources, including newspaper reports, letters and documents from local archives and the trove of interviews of former slaves conducted by the writers in the Federal Works Progress Administration of the 1930s.

Check it out.... the book...
 
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