Non Civil War Books and Movies

Matt McKeon

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Solaris
Stanislaw Lem's most famous novel, filmed three times. A psychologist Kelvin, is assigned to a space station over Solaris, an ocean plant that has some form of sentience.

The scientists theorize and investigate, then the tables are turned when the planet begins to investigate them. A love story, of the limitations of human understanding, a parody of academic writing, the trappings of a horror story. Recommended. The films not so much. Read the book first.
 

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Born to be Posthumous
This is a biography of the artist Edward Gorey. Gorey's meticulous pen and ink works of enigmatic, morbid and blackly humored Edwardians were featured on PBS Mystery, in book designs, stage set design and in a series of small books Gorey published over a career from the fifties to his death in 2000. "The Ghastleyville Tinies" "The Curious Sofa" and others.

Gorey was a true eccentric and individually driven individual who produced work that defied easy definition. Solitary, self sufficient, he had friends, but no confidents. One of my mother's(herself a graphic artist and painter) favorites.
 

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The Duel
I saw "Darkest Hour" on Netflix, with Gary Oldman chewing the scenery as Winston Churchill, and was moved to reread John Lukacs' account of the duel between Hitler and Churchill, beginning with Churchill becoming prime minister, and ending with Hitler beginning to plan his invasion of Russia.

Lukacs' scholarship is deep, and he seeks constantly to define and redefine his history. History is a description of the past, and words are the tools that the historian uses, and the words he chooses are a moral choice. By moral choice, he means both accuracy, and that a historian morality informs description. He has a couple of themes:
a. the two key events of the 20th century were the world wars.
b. nationality and nationalism proved to be more powerful than wealth, class or even religion.
c. He describes patriotism, as a love of country and its people, essentially defensive, while nationalism is aggressive and based on resentment and hate.
d. Hitler was a revolutionary, preaching national socialism, and when he went from success to success in 1939-40, Europe and elsewhere considered him the future. Churchill was a reactionary defending the values of democratic government, and the human traditions of western civilization.
e. When Churchill and England refused to surrender or come to terms, the tide of Hitlerism was checked. The invasion of Russia was the result of England's refusal to accept Nazi Germany's domination of Europe, and attempt to bring England to make peace since the defeat of the Soviets meant there would be no hope for a British victory.
 

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Forget the Alamo
Three Texas journalists write a breezy, snarky history of the Texas Revolution, the battle of the Alamo, and the ways and means Texas and the US have tried to remember and understand the Alamo, Texas and what it means to be an American. Very readable. William C. Davis's "Three Roads to the Alamo" makes similar points with considerable more scholarship.
 

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I just picked up Max Hastings' history of the Vietnam Wars (1945-1975). It's off to a good start. Hastings was a war correspondent for the BBC and left Saigon in the final days of Saigon. The book was completed after the Ken Burns miniseries.

The introduction describes the conflict as "an American nightmare overlaid on a thirty year Vietnamese tragedy."
I finally finished this book today. That it took me two months to get through it is the fault of my poor reading rate this year, not the content.

I highly recommend this book.

The biggest thing I go from it is we made basically the same mistake in Afghanistan as we did in Vietnam. We went somewhere we weren't really wanted, amongst a people we don't understand and very few of us speak their language, for our benefit not theirs, to fight a guerrilla enemy more determined and ideologically driven than we could ever be, and to those ends we propped up a corrupt, incompetent government that lacked popular support and was incapable of surviving without us.
 

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I recently reread part of The Anatomy of Fascism by Robert O. Paxton. It's a really good book. I'd reread the whole thing, but I think I'm at the point where I just want to move on to something else.

I originally read the entire book in 2012 for a university "History of Nazi Germany" class, although not as assigned reading. It was published in 2004 when "fascism" was a just a historical curiosity (and an occasional slur by punk kids) and not a serious concern. Even in 2012 it wasn't really a thing that seemed particularly relevant or threatening for the potential future. Perhaps not coincidentally it was one of my classmates who was the first person I ever heard declare that "communism and fascism are the same thing" which has now become gospel truth among the right wing.

The book focuses on Germany and Italy (the two unquestionable examples of not only fascism, but it's ascent to official national control) and puts much more emphasis on what the parties of Hitler and Mussolini actually did in practice that what they said. Unlike Marxism, fascism isn't an intellectual ideology full of complex theory. Identifying how Hitler and Mussolini succeeded and what they did, especially commonalities between the two, gives a practical definition of what fascism really is and how it succeeded.

Along the way the book looks in brief at a variety of unsuccessful fascist and quasi-fascist political parties in other countries, and the other regimes that did rule countries which are sometimes called fascist. Paxton argues that while there have been other real fascist parties, there has never been another truly fascist country. Other alleged fascist regimes had some similarities to fascism and borrowed ideas from them, but weren't really fascist.

Some of the foundations of fascism (pg 41):
  • overwhelming crisis beyond traditional solutions
  • "belief that one's group is a victim" thus justifying extreme action against perceived enemies
  • "dread of the group's decline"
  • "need for closer integration of a purer community" - by violence, if necessary
  • "need for authority by natural leaders (always male), culminating in a national chief who alone is capable of incarnating the group's destiny"
  • "superiority of the leader's instincts over abstract and universal reason"

A curious thing about true fascists is that the anti-capitalism rhetoric of their early days (much if which was soon discarded when it became apparent Leftists weren't interested in fascism, and little of which was actually carried out once in power) stemmed from the belief that bourgeois materialism was damaging to The State. My observation is that this is the greatest contrast between classic fascism and modern quasi-fascist right wing ideology: explicitly pro-capitalism. Instead of bourgeois materialism being a threat, it is now a goal to be celebrated, an example of greatness. I think what we have today, in a way that I'm not sure anyone has quantified, is an amalgamation between between libertarianism and fascism, mostly by people who have never identified as either.

Robert Paxton was interviewed in early 2016 about Trump and fascism:

He wrote an op-ed in early 2021 as a followup:
 

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The Essex Serpent by Sarah Perry

An historical novel about a group of English people in the late 1890s. Its not a horror or monster story, the Essex serpent, a legendary sea monster that apparently has returned to the Essex coast, provides the circumstances for the various people orbiting around Cora Seagrave, a widow who has decided to restart her life by investigating the sightings and hunting for fossils, the people who love her, and their stories. Its a very good novel, that has been made into a miniseries, which is pretty mediocre.
 

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Illiad by Homer
I saw the old, old story at Shakespeare and Company, a theater company in Lenox, Mass. A single woman gave a monologue, in bursts of contemporary prose, untranslated Greek, and directly quoted verse.

It was good, capturing the rhythm of the piece. In the "catalogue of ships" section, a long list of who went to Troy, she substituted the names of American towns to create the same effect with us. In Homer's description of the heroes fighting, he would sketch in a short description of each man killed, his background, homeland, father. The effect is instead of faceless mooks being cut down, that the war is destroying sons, brothers, husbands, memories, skills, real people. In the performance, the actor gave a short address about our soldiers, and what they wanted to accomplish and experience.

Strong and memorable.
 

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Illiad by Homer
I saw the old, old story at Shakespeare and Company, a theater company in Lenox, Mass. A single woman gave a monologue, in bursts of contemporary prose, untranslated Greek, and directly quoted verse.

It was good, capturing the rhythm of the piece. In the "catalogue of ships" section, a long list of who went to Troy, she substituted the names of American towns to create the same effect with us. In Homer's description of the heroes fighting, he would sketch in a short description of each man killed, his background, homeland, father. The effect is instead of faceless mooks being cut down, that the war is destroying sons, brothers, husbands, memories, skills, real people. In the performance, the actor gave a short address about our soldiers, and what they wanted to accomplish and experience.

Strong and memorable.
it was worth to do ancient greek for
 

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Ten Steps to Nanette by Hannah Gadsby

Australian comedian Hannah Gadsby became an overnight success with her show Nanette, a furious and heartrending performance about her life, the place of women and of queer women in particular. Its was raw, powerful and its impact was incredible. It "deconstructed" comedy tropes, that defused and comforted audiences. She has since followed it up with two other, less traumatic performances, Douglas and currently, Body of Work.

In this memoir, she describes growing up in rural Tasmania, the youngest of five children. It was a close knit, loving and supportive family, but with little money. Hannah was odd, unable to navigate social situations, make friends, her only social skill keeping her head down. As an adult she would be diagnosed as autistic, something of a relief, she claimed.
 

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She was stressed by realizing she was gay in a notoriously anti-gay community, by her inability to earn money, keep a job, or maintain a place to live. "Mental illness is not the road to creative genius," she writes, "its a road to fucking nowhere."
Her comedy career began to ramp up, doing standup, then tv appearances. Like all "overnight successes" she put in years.

The last part of the book was her crafting Nanette, structuring the show, workshopping sections in smaller venues, editing, and then trying to deal with its overwhelming success.
 

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What she doesn't discuss is the backlash, as a row of mostly white male comedians sputtered that the show wasn't funny, it wasn't comedy, it wasn't something.
 

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Watched "Shadowlands" last night, a beautifully acted film starring Anthony Hopkins as C.S. Lewis, Edward Harkwicke as Warnie Lewis, and Debra Winger as Joy Gresham, a friend of Lewis whom he married for the UK equivalent of a green card, then a loving relationship. Like I said, beautifully acted.
 

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Watched "Shadowlands" last night, a beautifully acted film starring Anthony Hopkins as C.S. Lewis, Edward Harkwicke as Warnie Lewis, and Debra Winger as Joy Gresham, a friend of Lewis whom he married for the UK equivalent of a green card, then a loving relationship. Like I said, beautifully acted.
I like the movie...
 

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Just finished "Invincible" an early novel by Stanislaw Lem, where a space ship landing on a distant planet enounter of a form of life that stretches the definition of life, what is alien, what is intelligent. Very good.
 

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Halfway through "Sailing Alone Around the World" by Joseph Slocum. In 1895, Slocum set out in a restored sloop to sail around the world singlehandedly. Slocum was a "Bluenose"(Nova Scotian) who had emigrated to New England and been a sailor, then master of his own ship for years.

He became the first solo sailor around the world, in a wooden craft with no electrical power, no motor, and the crudest naviagation equipment. Slocum was highly experienced, and extraordinarily tough.

His account is so matter of fact, its easy not to understand how difficult it was. Pirates, appalling weather, and incredible insolation. He admits talking to himself, singing, and sometimes hallucinating in the long weeks at sea with no companion. But he matter what happens he takes it in his stride, and makes light of any difficulty. A charming and very readable book! Highly recommended.
 

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For the past two weeks I have been in Niagara by the Lake, where the Niagara River empties into Lake Ontario. We saw several shows at the Shaw Festival, a theater festival in the resort town.

"Doctors' Dilemna" George Bernard Shaw's drama about medical rationing, what's due to artists and stupid doctors. And a plug for vegetarianism. It was awful, because, I regret to say, Shaw is awful.

"The Important of Being Ernest" Oscar Wilde light and fast moving feast of verbal zingers and improbable plot twists. Excellent.

"Everybody" I automatically dislike allegorical plays, where someone announces they're "Death" or "Love" Against the goddamn odds, I really liked this production, a modern version of a medieval play where a everyperson tries to find love and meaning in their life.

"Chiltra" a Hindu fable, where a girl raised as a boy falls in love with a hunter. Beautifully staged. The Hindu gods give the young heroine a makeover, sensible advice, and generally are benign and supportive, a contrast with the Greek gods.

"Gaslight" A classic movie with Ingrid Bergman, Charles Boyer and a very, very young Angela Lansbury"(first movie role for the teenager), the source play for that spooky and romantic film. Unfortunately the leading actor was prevented somehow from being present, and a brave understudy was thrust into the lead. (I mean really sudden, we waited 20 minutes to get the play started.) It was a rocky, below average night.
 

Matt McKeon

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The big appeal in this region of Ontario is wine. There are wineries everywhere, and I came back with five bottles myself. I'm not a wine snob, buying on the basis of how pretty the label is. The regional treat is "Icewine" where frozen grapes are crushed into a sweet thick liquer. Tasty!
 
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